Monochrome Returns

Nearly fifteen years ago I attended my first every photography class.  At that time I had no desire to become a professional photographer, or even shoot colour, all I wanted to do was to learn how to photograph and print good black and white pictures.  There was absolutely no hint at that time of how my life would unfold to set me on the path to become what I am now. I knew nothing about f-stops and honestly had sweaty palpitations when somebody asked me an awkward question like what is the filter thread size on my SLR.  What SLR? This all began with a simple point and shoot, compact film camera.

Before I knew it I had my first rangefinder and then first SLR. I continued to shoot black and white although i did use colour for my first overseas trip to Mexico. As I took more pictures and also began to travel more, colour started to become the logical choice. I started reading more books and started to appreciate what could be done with colour transparency film, I began to see that colour work could actually be considered as a creative art with the added bonus that it could also be sold to magazines, which actually helped to fund my early trips away. Gradually and really without me noticing, I began making and marketing images as a profession - and there wasn't a roll of black and white film in sight.

This continued for a decade but something started to change a couple of years ago. After an extensive period of capturing images for a number of Halsgrove books, I started to become despondent. I started to begin questioning why I had become a photographer. Did i have anything left to say through the medium. I had to learn how to enjoy my craft again.

These events coincided with the recent resurgence of interest in black and white photography, probably mainly due to the sudden convenience of obtaining these shots in the world of digital.  No more loading films in the darkroom surrounded by the unpleasant aroma of processing chemicals, now shots can be captured on a digital camera and loaded onto your home computer. With the additional convenience that you can even print the image at home. And the prints can be very, very good.

I now still mainly shoot colour images but black and white does play a huge part in satisfying my creative urges.  Currently I am working on my first e-book which also happens to be my first entirely black and white project. Entitled 'Black Light' it contains a portfolio of images from different stages throughout my career - Some film but mainly digitally captured shots, processed with the care that I gave to my darkroom prints all of those years ago. Over the next few weeks through the website I will be sharing some of the techniques used to create these images, as well as some of the stories regarding the events behind the camera.  In the meantime here are a few shots to wet your appetite.

Picture of the month | April 2011

April has seen me capturing far less landscape images as I have been turning my attention to taking macro shots of the signs on new life all around us as the incredible spring weather continues.  All of this good weather has helped to speed along the season with many flowers and trees showing the characteristics of early summer.

This has also meant that I have been able start to using my infra-red modified Canon Eos 30D in earnest, safe in the knowledge that I can continue to create pleasing landscape images during the harsh light of mid-day. I must admit that I can sometimes find that colour will distract from the essence of a shot and I am finding myself increasingly shooting monochrome images to share my vision of a location.

This shot of the Alex Boathouse located on the banks of Talkin Tarn is a good example of why I love this type of photography.  Results with an IR modified camera can be unpredictable but when it works - boy does it work!

Picture of the month | January 2011

I'm pleased to say that the recent changes to the website have not been purely cosmetic, and that in addition to the new online store; I also plan to start incorporating a number of new regular features. This post is the first of these. At the start of every month, I will be looking back at my favourite image captured in the previous month - As well as recalling the story behind the photo.

Whilst January was not the most productive month for new images, I did manage to get out and about a few times and produce a selection of images that I felt help to satisfy my creative cravings. This shot, which I have affectionately titled ‘Black Light’ was 1 of only 2 monochrome images captured this month and actually began life as a colour shot.

The day had begun with a trip to the Holy Island of Lindisfarne but unfortunately the BBC weather forecast had proved to be incorrect (yet again), and my 5.30 AM start had resulted in a couple of hours standing around by the castle hoping that there might be a minor weather miracle. There wasn’t. However in the distance I could see a small patch of blue so I decided to head inland to the Cheviot Hills near Wooler.

So began the ‘chasing of light’ game! As I reached Wooler the conditions were improving but that elusive patch of light was still a way away. A quick check of the map later, I decided to head over the border to Kirk Yetholm in the Borders. Here conditions were better but still I had not found the treasure!

So I continued through the village and headed towards my, as yet unknown, destination. Imagine my elevation when I finally found myself in a desolate Border Valley under a blanket of blue sky and white clouds!

A quick climb of a hill later, and I found myself standing on the ancient Dere Street Roman Road looking across the border ridge towards the English Border at Carter Bar. After passing a couple of hours taking a few shots looking back towards Northumberland and the Cheviot Hills, I noticed an interesting break of light above a misty patch of the uplands. By now the wind had picked up and I knew that using my 70-200mm lens to isolate details in the landscape would be a tricky proposition. I quickly composed my shot and fitted my 3-stop hard and 2-stop soft filter to the lens. Next it was just a case of firing the shot when there was a lull in the breeze. Out of about 30 shots there were only 2 that were sharp enough to keep.

Whilst the colour shot was pleasing, I felt that the colour distracted from the mood of the location. Ironically after a day spent trying to find a splash of colour, I found myself capturing one of my favourite black and white images to date!